Rockton Police Department

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OSD5K Winner-Concert Badge

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The badge will be awarded to best overall male and female & top three finishers of each age group. All winners will be allowed entry to the Festival and Concert stages on Saturday, 6/20.

 

 

   

 

OSD Saturday Night Main Concert Stage

 

Clayton Anderson - I’ve always loved music and loved entertaining folks. While in college at Indiana University, I was in a bar and the performer went on break. I grabbed his guitar and did a few songs. At that point I was hooked. After winning the Kenny Chesney Next Big Star competition, I made the decision to make music my career. I figured I’d rather pour my heart and soul into it and fail than end up an old man sitting on my front porch wondering, ‘what if’.” I discovered early on that playing only covers wasn’t enough for me, so I started writing songs that I thought my friends would like. Since moving to Nashville from Indiana, I’ve had the chance to write songs with some great people.” I love traveling and seeing new places. I’m a history nerd. I love to meet my fans everywhere we go. The adventures so far have been priceless. Being away from loved ones is the toughest thing.”


Cowboy Troy: A six-foot five-inch, hick-hop artist is going to get a response, and Cowboy Troy is okay with the strong reactions and endless questions. "I have crazy intentions," he says with a grin. But anyone who thinks that the Cowboy Troy experience ends there, doubts his country credentials, or is inclined to dismiss him as a novelty, is in for quite a surprise. "People have different paths," Troy says. "I'm not going to apologize for my music, because this is who I am. I didn't just wake up one morning, put on a cowboy hat, and get a gig rapping on a country album. You don't do something for 15 years on a lark." Cowboy Troy rapped his way into the country mainstream on the first cut of Big & Rich's 2004 debut Horse Of A Different Color. And while his admonition to "let go of all your preconceived notions" certainly wasn't the first time elements of rap had been incorporated into country, it was the boldest statement yet. Explaining the journey that placed Troy Coleman at this unlikely intersection is as complicated as explaining the evolution of American culture. At the same time it's as simple as the story of a kid from Texas who did what all kids do--he soaked up the world around him. Troy spent his childhood in Ft. Worth, where his dad took him to rodeos and stock shows. "We'd listen to Willie Nelson, Jerry Reed, Charlie Daniels, Kenny Rogers, and other artists who were getting airplay on the adult contemporary stations at that time," Troy says. "I didn't realize it was country music, I just knew it was what my parents listened to before they went to work in the morning." Troy spent his high school years in Dallas and collegiate years in Austin, Texas at the University of Texas. In addition to solo releases [Loco Motive (2005), Black in the Saddle (2007), and Demolition Mission (2009)], Troy has spent time on TV. He’s been a part of the ESPN College Gameday video intro along with Big & Rich since the 2006 football season. He also served as co-host for USA Network’s Nashville Star in 2006 and 2007. Most recently Troy performed on ABC’s Dancing With the Stars on the final episode of 2012 Spring season. His appearance in Big & Rich’s Save a Horse, Ride a Cowboy video, as well as his own I Play Chicken With the Train and Hick Chick videos remind viewers of his “party starter” nature. Troy knows he's challenging conventional thinking about what country music is, but expects that his music will find its place. "I've never been like everybody else and it wouldn't do me any good to try," he says. "Some people are going to love it and some are going to hate it, which is probably how it should be because it means they're talking." The way Troy sees it, “innovation is a tradition, not a trend or secondary option...authenticity comes in the commitment.” His latest installment of music, “King of Clubs”, released March 2014.


Big & Rich:
As Big & Rich, John Rich and Big Kenny Alphin have exerted a definite “gravitational pull” to the direction modern country music has taken. Their much anticipated new project, “Gravity” provides a stellar example of the genius of their creative brotherhood--the result of two unique musical personalities colliding to form an even greater positive sum total. From the vantage point of today’s career success, John notes: “When Kenny and I were first considering doing music together some 15 years ago, I can recall like it was yesterday him saying, ‘Man, we are like two individual planets— wouldn’t it be awesome to collide and smash the universe together,” he recalls. “We definitely felt that creative gravitational pull from the beginning and I think it continues to translate into the music.” They are America's Technicolor cowboys, brothers-in-arms in service to the creed that great music has no boundaries. Individually, John and Big Kenny are first-rate musicians, songwriters, producers, entertainers—and now the creative force behind their own label imprint, Big & Rich Records. Together, they are one of the most truly original musical forces ever unleashed on a welcoming world. As witnessed too by their new single, “Look At You,” their influence on their musical universe shows no signs of being eclipsed. “The unusual twist of this lyric really makes the song stand-out, notes John. “It’s a Shannon Lawson co-write that dead-on nails the gut wrenching feeling of being that guy that loses the hot chick—something I think a lot of us guys can relate to.” Big & Rich have, of course, made a career of being relatable and musically relevant since exploding into the public consciousness in 2003 as the rarest of breeds—true country music game changers. With 2004’s triple-platinum Horse of a Different Color, they were able to tap into the best strands of a wide spectrum of popular music, filter them through their pens and voices and produce a sound that is instantly recognizable, if not classifiable. "You still can't really define what that sound is," says John. "Even we can't." "No question in my mind," says Kenny, "that we have put forward as high quality music as we can do. And we believe we just keep getting better."

 

 


 


 

 

 

 

 

 

 
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